By Mike Murphy
A bounty of year-end programming will pose a unique challenge to streaming consumers in December — not so much what to watch, but how to prioritize the avalanche of promising new series and movies that are on the way.
This month we expanded the streaming budget a bit, to about $44, simply because there’s so much to choose from — and too many must-sees. Frankly, there are good arguments for subscribing to eight of the nine major streaming services. But that’s hardly realistic, so we’re here to help make the tough decisions on what to watch now, and what to save for another month.
Each month, this column rates the major streaming services as a “play,” “pause” or “stop,” similar to investment analysts’ traditional ratings of buy, hold and sell, and picks the best content to help you make your monthly decisions.
As we’ve previously mentioned , consumers can take full advantage of cord-cutting though a churn-and-return strategy — that’s adding and dropping streaming services each month — and all it takes is good planning. Keep in mind that a billing cycle starts when you sign up, not necessarily at the beginning of a month. Also keep an eye out for lower-priced tiers, limited-time discounts, free trials and cost-saving bundles. (For example, HBO Max currently has a 30-day free trial through Roku .) There are a lot of offers out there, but the deals don’t last forever.
Here’s a look at what’s coming to the various streaming services in December 2021, and what’s really worth the monthly subscription fee.
Netflix ($7.99 a month for basic, $13.99 standard or $17.99 premium)
December’s parade of riches is just another example of why Netflix /zigman2/quotes/202353025/composite NFLX +2.35% dominates the streaming game, with new seasons of five of its most popular series, a pair of Oscar-contending movies, and a slew of other new shows, holiday specials and movies.
Two years after its debut, the fantasy epic “The Witcher” (Dec. 17) returns for its second season, as monster-hunter Geralt (Henry Cavill) encounters assorted elves, demons, sorceresses and royalty in his adventures. While Season 1 played with multiple timelines, the new season promises to be more straightforward, with all the characters now caught up in the same storyline. Season 1 ranks as Netflix’s third-most-watched English-language series ever , and the new season may give “Squid Game” a run for its money as the most-watched ever.
Meanwhile, “Money Heist” (Dec. 5), which takes up three of the top four most-watched spots for Netflix foreign-language series, concludes its run with Part 2 of its fifth season. The heist crew suffered a shocking death when we last saw them, leaving the Professor with fewer and fewer options for extracting his team from the besieged Bank of Spain with their haul of stolen gold. The first two seasons were great fun, but the series has slipped into ridiculousness in recent years, so a conclusion to this overly drawn-out story will be welcome.
Meanwhile, “Emily in Paris” (Dec. 22) is back for another season of flings, fashion and scenery-porn as the all-too-American Emily (Lily Collins) tries to find her footing in Paris; “Queer Eye” (Dec. 31) returns for its sixth season, making tear-jerking transformations in Texas this time around; and the fourth season of the “Karate Kid” spinoff “Cobra Kai” (Dec. 31) sees Daniel (Ralph Macchio) and Johnny (William Zabka) join forces in an attempt to win the all-consuming All Valley Under-18 Karate Tournament.
Netflix also has a pair of movies with serious Oscar buzz in “The Power of the Dog” (Dec. 1), a family drama directed by Jane Campion and starring Benedict Cumberbatch and Jesse Plemons as brothers running a Montana ranch in the 1920s; and “Don’t Look Up” (Dec. 24), Adam McKay’s star-studded (Leonardo DiCaprio, Jennifer Lawrence, Jonah Hill, Timothée Chalamet, Meryl Streep among many others) satire about astronomers who discover a “planet killer” comet is going to hit Earth, only to find that no one really cares. Both are getting fantastic early reviews.
And there are plenty of seasonal offerings, like “Single All the Way” (Dec. 2), Netflix’s first gay holiday rom-com, starring Michael Urie, Philemon Chambers and Luke MacFarlane; the fourth installment of “The Great British Baking Show: Holidays” (Dec. 3); and family fare such as “Shaun the Sheep: The Flight Before Christmas” (Dec. 3) and “David and the Elves” (Dec. 4).
In the category of “other,” Netflix has the third and final season of “Lost in Space” (Dec. 1), a sci-fi series that most have likely forgotten about; Season 3 of the dating show “Are You the One?” (Dec. 1); “Bordertown: Mural Murders” (Dec. 1), a movie spinoff of the grim Finnish crime series; “Voir” (Dec. 6), a collection of “visual essays” celebrating cinema, from director David Fincher; standup comedy specials from Nicole Byer (Dec. 7) and Jim Gaffigan (Dec. 21); and the Sandra Bullock redemption drama “The Unforgivable” (Dec. 10).
Who’s Netflix for? Fans of buzz-worthy original shows and movies.
Play, pause or stop? Play. There’s just so much. Netflix is still the best bang for your buck.
Hulu ($6.99 a month or $12.99 with no ads)
For new comedies, Hulu can’t be beat in December.
“It’s Always Sunny in Philadelphia” (Dec. 2) is back for a 15th season, making it, amazingly, the longest-running live-action comedy series in TV history. New eps stream every Thursday, a day after they air on FXX, and the new season will see the deranged gang from Paddy’s Pub travel to Ireland, deal with COVID and, based on the trailer, possibly storm the Capitol.
A day later, the Emmy-nominated coming-of-age comedy “Pen15” (Dec. 3) concludes with the last seven episodes of its second ( and final ) season, with Maya and Anna (played by grown-ups Maya Erskine and Anna Konkle) navigating their adolescences and painfully awkward first loves. It’s a weird and great show. Speaking of, “Letterkenny,” Canada’s greatest export since Nanaimo bars, will drop its 10th season on the very Canadian Boxing Day (Dec. 26). This column has raved in the past over the brilliance of “Letterkenny,” which has only added more depth to its roster of hicks, skids and hockey players with each passing season.
Other Hulu highlights include “Mother/Android” (Dec. 17), a sci-fi thriller movie starring Chloe Grace Moretz as a pregnant young woman who flees with her boyfriend to escape an A.I. that’s declared war against humans, and “Dragons: The Nine Realms” (Dec. 23), a new kids’ animated spinoff to “How to Train Your Dragon,” made in collaboration with Peacock.
On the holiday front, there are a bunch of specials, including “Candified: Home for the Holidays” (Dec. 1), the musical “Trolls Holiday in Harmony” (Dec. 3), “Michael Buble’s Christmas in the City” (Dec. 7) and “Gordon Ramsay’s Road Trip: Christmas Vacation” (Dec. 15).
Who’s Hulu for? TV lovers. There’s a deep library for those who want older TV series, and next-day streaming for many current network and cable shows.
Play, pause or stop? Play. You probably need some more comedies in your life. Hulu has them, and they’re worth the price. Plus, there’s a huge catalog, and plenty of current shows streaming a day after they air, making a Hulu subscription (with ads) the best bargain in streaming.
HBO Max ($9.99 a month with ads, $14.99 without ads)
HBO Max carries over a Murderer’s Row of top-tier shows with season finales in December — “The Sex Lives of College Girls” (Dec. 9), “Succession” (Dec. 12), “Insecure” (Dec. 26), “Curb Your Enthusiasm” (Dec. 26), “How To with John Wilson” (Dec. 31) — and will add some not-too-shabby newcomers.
“The Matrix: Resurrections” (Dec. 22) will be the final scheduled Warner Bros. movie to premiere on AT&T’s /zigman2/quotes/203165245/composite T -7.35% HBO Max the same day it hits theaters — a pandemic experiment that will not continue in 2022. Nearly two decades after the “Matrix” trilogy concluded (or so we thought), “Resurrections” brings back Keanu Reeves and Carrie-Ann Moss for a new chapter in the mind-bending sci-fi movie franchise, in what could be the biggest Warner Bros. blockbuster of the year. The official synopsis describes it not as a sequel, but as a “continuation and extension of the original movie,” suggesting the two confusing and forgettable sequels … may not have happened? (Whoa.) Either way, it’ll stream for 31 days, but only for Max subscribers who are on the ad-free tier.
That’s not the only turn-of-the-century hit getting a second life: “And Just Like That…” (Dec. 9), the “Sex and the City” sequel, will see Sarah Jessica Parker, Cynthia Nixon and Kristin Davis reviving their iconic roles and wading through the trials and tribulations of lifelong friendships (and in the case of Kim Cattrall’s Samantha, friendships lost). The 10-episode revival will debut with two episodes, with new episodes every following Thursday.
Is anyone ready for a grim pandemic series? HBO Max sure hopes so, with “Station Eleven” (Dec. 16), which follows survivors of a devastating flu pandemic that pretty much wipes out humanity, as they try to rebuild their lives — and civilization. It’s based on Emily St. John Mandel’s acclaimed 2014 novel and stars Mackenzie Davis (“Halt and Catch Fire”), Himesh Patel (“Yesterday”) and Gael García Bernal (“Mozart in the Jungle”). Whether it will be good shouldn’t be the issue — it likely will be. But it may hit a bit too close to home, as we’re still struggling through this pandemic.
There’s also “Landscapers” (Dec. 6), a limited series based on a true story, starring Olivia Colman and David Thewlis as a seemingly ordinary British couple who happen to have a couple of bodies buried in their garden; the strip-tease competition series “Finding Magic Mike” (Dec. 16); and the extremely not-for-kids stop-motion animated series “Santa Inc.” (Dec. 2), featuring the voices of Sarah Silverman and Seth Rogen.
Who’s HBO Max for? HBO fans and movie lovers.
Play, pause or stop? Play. Yes, it’s expensive, but you get what you pay for. And that is some seriously high-quality programming. Besides, the subscription price isn’t much more than what you’d pay for a single ticket to see “The Matrix: Resurrections” in a theater — think of the rest of HBO as bonus content.
Disney+ ($7.99 a month)
Yes, after a 40-plus-years wait, “Star Wars” fans will finally get to see their favorite intergalactic bounty hunter take the spotlight, with “The Book of Boba Fett” (Dec. 29). Technically a spinoff of “The Mandalorian,” the eight-episode series stars Temuera Morrison as the mysterious gun for hire, and Ming-Na Wen as his mercenary friend, Fennec Shand, who aim to be the heirs apparent to the late Jabba the Hutt’s underworld empire on Tatooine. With a new season of “The Mandalorian” probably a year away, this should keep “Star Wars” nerds happy until Ewan McGregor’s “Obi-Wan Kenobi” limited series, due sometime in 2022.
(*Personal note: When I saw the re-release of “Return of the Jedi” in 1997, some clown in the theater kept yelling “Boba Fett!!!” randomly and loudly throughout the movie, until Boba Fett finally appeared on screen for all of 6 minutes, 32 seconds. My friend wanted to fight him afterwards. Suffice to say, the experience has stayed with me.)
Disney also has new episodes of the refreshingly low-stakes Marvel limited series “Hawkeye,” starring Jeremy Renner and a scene-stealing Hailee Steinfeld, which concludes its six-episode run Dec. 22.
And as an early gift, the new animated musical “Encanto” will start streaming on Christmas Eve, after a month in theaters. The movie, about an “ordinary” Colombian girl trying to find her place as the one person in her family without magical talents, features music from Lin-Manuel Miranda and has drawn critical raves .